History of Mime

Mime is the silent art of acting out a scene or expressing feelings with gestures and facial expressions. Although many people think of the French when they think of mime, mime as entertainment dates back to the ancient Greeks and Romans. Mime was then popular in Italy before it reached France. Mime was so popular in France that schools of mime were established and traditions of great French mimes followed. Twentieth-century American Mime is very different from the French version.

Ancient Greek actors wore masks and performed mimes of everyday activities and dramatic character-centered mimes called “hypotheses” in front of thousands of people at Athen’s Theater of Dionysus. The Romans brought mime to Italy after they conquered Greece. Mime came to Paris in 1811 with the arrival of Bohemian Jean Gaspard Batiste Deburau, the son of a touring acrobatic family.

Deburau remained in France and developed the ancient art of mime into the more polished and expressive modern version that still exists today. His most famous character was the lovesick Perriot. Jacques Copeau, Charles Dullin, Etienne Decroux, and Jean-Louis Barrault are well known in the art of mime after World War I.

The well-received 1945 French film “Les enfants du paradis,” co-starred Barrault and Decroux and told the fictional tale of Deburau’s mime work from his beginnings in Paris. The famous French mime, Marcel Marceau, was a pupil of Decroux. Like Duburau’s Perriot, Marceau’s character, Bip, was mostly down on his luck, but sometimes had life work out for him. Bip wore a flower on his top hat and a short coat. Marceau’s work included the influence of the silent film stars such as Charlie Chaplin and Marceau was highly original and masterful in the art of mime.

Mime has two main types: abstract and literal. Abstract mime often has no plot or main character, but rather is an expression of feeling used to provoke interpretive thoughts about a serious subject. Literal mime is often comedic or is used to tell a story. Gestures and visuals show a clear and usually hilarious tale of the conflict faced by the main character.

Many combinations of both types of mime are possible and pantomime movements are also common to mime. Pantomime is the use of movement and gesture in the telling of a story, usually in a comic manner and is a more literal type of mime. The ancient Greeks and Romans used pantomime dances in their mime.

The twentieth century saw mime being included in circuses and music halls. American comedians such as Dick Van Dyke and Red Skelton were famous for including mime in their spoken work. Paul J. Curtis founded the art form known as American Mime in 1952.

American Mime combines acting, play-writing, and pantomime dance and is very much unlike the French version of mime. Curtis was struck by the silent aspect of French mime, but wanted acting and dance to be more pronounced. Curtis is the founder and director of the American Mime Theater in New York City.

History of Pantomime Movement

The art of Pantomime is greatly  indebt to the person who worked for this art in post-independence Bangladesh. From Parthoprotim Majumder, Kazi Musharul Huda to Zillur Rahman John in 1980’s are the persons who have enriched this art. Their effort and talent have combined together to care a distinct place as on individual form of art for Pantomime along side the theatre. After a long lay off, 1st Boishak 1402, Pantomime Movement has appeared under the rays of light.

Since then  Pantomime Movement became the pioneer in the country as a performing group and they have seen several times not as professional rather  as a part of humanitarian work at time’s need. Even they showed revolt against Iraq war in the Central Shahid Minar through their perfomance and they also became the part of wrath against the bomb explosion throughout the country. They stands always beside the suffering humanity.